More Scrappytripalong Fanaticism

I got caught up in the #scrappytripalong crazy in January on Instagram and Flickr (and it continues today, though not at the same fevered pitch)… I used up two rolls of 2.5″ strips that were getting stale in my stash, plus a fat quarter collection of the Indie fabric line by Pat Bravo (which you can see a few posts back). This pattern/technique is available for free at Bonnie Hunter’s Quiltville site, but BE WARNED. They’re like potato chips — you can’t make just one!

Here’s the first one I made, from the Indie Fabric Line:
Start As You Mean To Go On

It’s 60″x72″ and is a perfect sofa quilt.

I’m nearing the end of two projects that I will be blogging about shortly, so I’m trying to plan what to attack next. So I thought I’d post pictures of my Amy Butler Love Scrappy Trips quilt — it’s assembled into a quilt top so all I have left to do is to finish the backing and layer and quilt it.

Here are the different layouts that I auditioned when I had all of the blocks made for this one:

X's and O's

I ended up going with the last one, though it was really a tossup between the last two, which is why I chose the diamond design for my Basic Grey Figgy Pudding version:
Diamond Figgy Pudding

I will probably quilt both of them very simply with a wavy cross-hatch, since I LOVE how that turned out on the Indie Scrappy Trips Quilt.

And yes, I actually do have strips cut to make yet another one. Don’t judge. They’re the perfect therapeutic sewing after a tough day because it’s mindless. I have yet to make a truly scrappy one — all three of the ones I’ve done (plus the one I have strips cut for) are from single fabric lines. But you can go here and here or search for #scrappytripalong on your Instagram app on your handheld device (for some reason I can’t figure out how to search on the full web version) and see LOTS of variety. It’s a really fun, quick, easy quilt to do. And it burns through your scraps/leftovers, too! #WINNING!

Off to take Helen to camp today, then quilt guild tonight, and then hopefully I can get some more free-motion quilting done this weekend!

Alice by the numbers

(photo-heavy post today… even more than the last two!)

Today is Alice’s 9th birthday, so I thought it would be a good day to post about the making of her new bedquilt.

When I repainted her bedroom periwinkle a few years ago, her original quilt didn’t match as well. It still looked fine, but it didn’t look like it had been made for that room, if that makes any sense. I saw Swoon blocks popping up all the time on Flickr, so I grabbed a piece of graph paper and drew out the block pattern. The pattern I linked to has 24″ finished blocks and uses fat quarters of fabric, but I wanted to be able to use my batik charm squares (I had probably close to 500 of those 5″ squares to choose from) and 2.5″ strips of natural fabric (I had most of two jelly rolls of natural batiks), so I had to resize the block to 16″ to use what I had. I really didn’t want to go out and purchase new stuff for this, partly because of the financial implications of doing that and partly because I’m discovering that I really like a scrappy look for my quilts.

I scribbled out calculations and measurements on a scrap of envelope that stayed next to my sewing machine for a long time as I assembled all of the blocks. I wish I still had that scrap of paper because it was kind of cool how I did it, but I think I threw it out after the fire since the quilt top was totally assembled by then.

Anyway… I figured out that I needed 2 different contrasting colors for the blocks themselves (8 charms of one color and 7 of the other to get the full block), plus the 2.5″ strips of natural batiks. I went through my batik charms stash and sorted them all by color. Then I found groupings of 8 and 7 of the same color and value that could work together in a single block. I paired the groupings to get a good balance of colors, and started cutting them and prepping the blocks.

(All of this busywork was occurring while I discovered “Downton Abbey,” by the way, so this quilt will be forever tethered to that show for me. I made the quilt top as I watched the first two seasons, and quilted it while thinking about the third season between episodes: there’s no TV in my sewing room anymore.)

So. Here’s several blocks prepped and pinned together, ready for a chain-piecing marathon back in February of 2012:

chain piecing prep

I made a few blocks to see if I liked them done scrappy, and I did! Each block has 81 pieces of fabric in it after I cut all of the required elements.

six blocks

So I kept going. At this point I wasn’t making the quilt for Alice yet, but as it grew she got attached to it and wanted it for her room, especially after I made a periwinkle block.

Occasionally I would make a block with really bizarre color combinations, just to see how it would come out. This one ultimately ended up being my absolute favorite block in the quilt, so I put it in the center so that it will show no matter how she makes her bed. I will definitely explore more quilts with this color combination — very striking.
acid green and brown/black

So it grew…
9 blocks

And grew…
12 blocks

And the more blocks I made the more obsessed with this quilt I got. I couldn’t stop! Luckily I wasn’t finished watching the first two seasons of Downton yet, so I had plenty of TV to entertain me while I cut and cut and cut and pinned and pinned and pinned and pressed and pressed and pressed… The blocks are really cool, but I won’t lie: they’re quite tedious to make.

And it still grew…
19 blocks

I ended up making a total of 23 blocks so I’d be able to choose the best ones for Alice’s room that would give the best balance to the quilt. I’m very glad I did that, rather than forcing the red and gray one to be in it, and another green and black one… And I had one more that was kind of a repeat of one I had already made and I didn’t notice until it was done, so it was also eliminated from the final quilt.

This photo was taken on February 27, 2012, when I finally had the whole top sewn together:
quilt top

There are 1699 fabric pieces in the top, including all 20 blocks, all of the cornerstones, and all of the sashing pieces. Yes, I counted them. This is what I do to entertain myself when I’m machine quilting. My mind wanders, and usually goes to math. It’s a sickness.

And I had all of these little 2″x2.5″ cuttings left over from the batik charms, so I assembled those into little strip sets while I was at it:
strip sets

And made a Dresden Plate out of them:
Dresden Plate

Which I assembled into a pillow for a swap that I was in on Flickr:
Pillow Swap
(The one on the left is the pillow I received in the same swap — I thought they looked really cool together.)

The above photo was taken on March 10, 2012. This photo was taken a month before, while I was working on the Swoon quilt, but other things were on the design wall at the time. The TV was at the other end of the room, so if I was standing at the cutting table or ironing, I could see it. I’d pause Downton, go chain piece, and then stand up and watch until I was prepped and ready to sew again.
sewing setup

Around the 15th of March, I put the Swoon quilt back up on the wall (I had to have something up at low levels all the time to protect the design wall from the cats, who would claw it if the soft batting was exposed). I left on the morning of the 18th for my trip to Nashville with the Randolph kids. Then the frantic phone call from our house/petsitter Christa and the next morning I came home to this in my husband’s office upstairs:

burnt office

(PSA: please check your smoke detectors. If ours hadn’t gone off and alerted Christa, the fire would have jumped to the attic, shot across the house, and we would have lost everything. We lost a tremendous amount, but we didn’t lose everything. If not for the smoke detectors and Christa’s quick thinking, I’d be telling a very different story now.)

Back to Alice’s quilt.

It was on the design wall when the house filled with smoke. I carefully pulled it down, and my friend Claire washed it for me in her bathtub and laid it out on her back patio, smoothing the seams as much as possible. When I was ready to face it again, in late summer of last year, I re-pressed all gazillion seams and starched it smooth again, so that I could layer it and prepare it for quilting.

Emily helped me baste the quilt, as always:
Emily supervises

and kept getting in the way, also as always:
Emily's in the way

Those photos were taken August 13 of last year in the rental house, about 5 weeks before Emily died of kidney failure. I have a audionote of her talking to me that night that I’ll treasure. I knew we were nearing the end with her because she was starting to get obsessed with water.

I wanted to start quilting it, but life got in the way…
My husband did this to himself:
Shattered Collarbone

And then Emily died, and then we moved, and then school got really busy, so time got away from me during first semester. And then I was scared of it because I didn’t want to mess it up. But finally, FINALLY, in January, after finishing three other quilts the first 2 weeks of January, I worked up my nerve:
Swoon under the needle

I quilted the swoon blocks simply, and then had a blast in the negative space. I got a lot better at feathers in odd spaces, and I figured out how to quilt a double helix!
Double Helix

And then I finished it! Binding took a while… it’s big. And I had a lot of interference.
Binding and Tango

Finished Quilt

Favorite Block


blue block



On the bed


And Alice LOVES it!

Alice and her quilt

It took around 40 hours to machine quilt the whole thing. I’m very glad I took my time and waited until I was truly ready to quilt this one, rather than rushing it to get it done. I’m finding a lot of pleasure in custom quilting my quilts these days, so it’s hugely satisfying when I finish one.

I’m hoping she’ll let me borrow it to enter it in the local quilt show this fall. She may not. We shall see.

Projects since Easter

So, the first project I started after Easter was this one.. I wanted to try the “Li’l Twister” tool, so I needed a simple graphic design that would show me the potential of this tool. I decided to do a cross, because I’d be able to put it in our church’s silent auction at Lobsterfest in the fall. It sold to a friend on Facebook, so now I have to make another one. Oops!

Here it is before I used the twister tool:
Cross before twister tool

And after:
After twister tool

And then after quilting:
full quilt



I made this little miniquilt and accessories for my the Fab Little Quilt Swap on Flickr. It’ll be my last Flickr Swap for a while — probably until the next FLQS. In my emotional state this spring, I took any negative comments a little too personally and I’ve decided to take a break from swapping online.
FLQS front

And here’s the back of that one.

I tried Rayna Gillmans’ improv techniques and assembled this small piece (40″x33″) from a colorway that’s slightly outside of my comfort zone. It was a fantastic experience, and I’m looking forward to quilting it soon:
improv piecing top

I got the $35 Experiment, aka “Red Sky at Night” finished at the end of May:
Red Sky at Night

Closeup of the quilting:

Back of that one:
(still in the “don’t buy anything new” phase, I continue to make scrappy backings… I’ve decided I really love the look because it creates interest on the back. Not the people look at the back much, but I like that it’s not all one fabric.)

And I finished this one that same week — quilted with all-over meandering feathers, something I had been wanting to master but hadn’t found the right quilt to do that way yet. I still haven’t figured out what to call it. “Thanksgiving?” “Sparks?” I don’t know.
orange and teal

Here’s a closeup of the back of that one so you can see the meandering feathers. I was SO excited about how these turned out that I’ve been quilting feathers on everything this summer.

I bought this linen fabric and decided to make myself a two-layered skirt out of it. I couldn’t find a pattern I liked so I pulled a skirt from my closet that I really like and created my own pattern. The zipper doesn’t line up perfectly but I don’t really care. And I’ve lost so much weight since I made this that I’m going to have to take it in so it’s not hanging down around my hips when school starts. But that’s fine with me!

I finished all of the blocks in the 2012 Designer Mystery Block of the Month from Fat Quarter Shop. Because I was economical with my cutting, I was able to get two blocks out of the materials sent every month. I added the house block in the center because this quilt was the fabric therapy that I needed to help recover from the stress of the fire. I’ll do a whole post on about this quilt, because there’s a story about it that needs to be told.
FQS BOM Designer Mystery blocks

The Cross quilt led to a commissioned piece that I’m still working on:
flute before

flute after

I started working on the Farmer’s Wife Sampler blocks… Jerry gave me the book several years ago for Christmas and I hadn’t started them. I don’t know what I’ll do with these, but they’re fun and mindless when I’m between projects but want to work on something quick:
Farmer's Wife Start

I’m about 2/3 of the way through making about 80 wonky log cabins in Cherrywood Fabrics for a swap with local quilting friends… These are slow to make but I think they’ll be cool when assembled into a quilt:
Cherrywood Cabins

I finished assembling the Christmas Block of the Month from Fat Quarter Shop also. Now to make the back from the leftover fabrics and quilt it in time to hang it this year!
Christmas BOM

Made an Easy Breezy BackSack for Alice that I promised her more than 2 years ago. It’s a Lizzie B Creative pattern, and very simple to put together. I used a magnetic snap rather than Velcro, since I didn’t have any Velcro on hand the night I made it.

Using leftover fabrics from the Christmas BOM quilt, I embellished store-bought kitchen towels in holiday fabrics and made a Bento-style casserole carrier for a wedding gift for my cousin’s daughter.
wedding gift

And that led to the idea of making fancy linen hand towels to sell at an upcoming craft show. Here’s my first prototype. I have since gotten the pattern idea a little more perfected, but this is a pretty cool start. And I’ll keep this one since it looks good in our house:
hand towel

Our beloved 12.5-year-old Collie, Linus, died on June 25. I needed the therapy that machine quilting provides and I didn’t have anything layered, so I fixed that on June 27 and layered two very large quilts (over 1100 safety pins used!). Here are two of my basting assistants on one of them:

Both of those quilts have occupied most of my sewing time since, and they’ll get their own posts when they’re finished. I’m very pleased with how they look quilted. You can see progress on both of them on my Instagram stream.

And last weekend, I made these two dresses using Patty Young’s Kyoko pattern by ModKid Boutique. I originally bought these fabrics in early March 2012 to make dresses for my children, but the fire derailed those plans. Now my children want me to make them clothes but then they refuse to wear them. So I made these in the sizes of my friend’s kids, and she will get First Right of Refusal on them before I sell them elsewhere. They turned out really cute and I’m happy with them. I’m going to make matching dolly outfits out of the leftover fabrics, too:
Kyoko dresses

So yeah. I’ve been busy. What’s amazing is that I’ve pretty much kept up with the laundry and the house isn’t a total disaster, either. Obviously I’m feeling better. 🙂

The $35 Experiment

So I’ve had this idea in my head. Every time we get to parallel lines and quadrilaterals in geometry, the idea resurfaces. So pretty much every January.

This time I decided to see if the idea actually worked.

So I found an orphan Jelly Roll in my fabric stash (the $35), and started playing with it (the experiment). I’ll post a tutorial for how I created this when I do it again (because I’m GOING to do this again with fabrics that are more planned), but for now I’ll just show you what I came up with.

On Friday night, I paired all of the fabrics and prepped them for sewing. I got all of the light fabrics sewn so I decided to toss them up on the wall and see what happened.

This is what happened:

lights on the wall

Pleased with what I saw, I kept going and added some of the mediums to the mix by the time I went to bed on Friday night.

lights and mediums

By bedtime on Saturday night, I had finished sewing and cutting all of the fabric pairings, and tossed them up on the wall. I asked Jerry for his advice, and he surmised that the horizon line was “too contrasty, maybe” (how’s that for definitive?).

all pairs sewn

I decided to call it a day and revisit the layout when I got up in the morning.

Bringing all of the warm colors towards the horizon line and towards the right side of the piece gave me the look I decided I wanted, so I started to assemble the wedges into columns. In the photo below, the left 5 are in columns and trimmed, and the right 5 are still just in wedge pairs on the wall.

5 columns sewn

Once all of the columns were assembled and trimmed, I needed to square it up so I added the fabrics at the top and the bottom.

top and bottom fabrics added

I apparently sewed the far right column slightly out of order (just realizing that now, actually) at the horizon line, so it didn’t behave appropriately with the full piece anymore. The column needed to move. If I had realized that it was just 4 wedges out of order I could have picked those seams and placed them correctly but I didn’t. Silly me… All these pictures and I forget to check my work as I go?

Anyway… I decided to try moving that column around the next day and see if I could fix the problem. The next few photos are kind of “Where’s Waldo?” — can you find the problem column?


Still unresolved, I took the Problem Column out completely:

nine columns

I didn’t like that either. It messed up the aspect ratio, and I want this piece to be pretty close to the Golden Ratio, since that tends to be more pleasing to the eye and I talk about it in my classes.

So Jerry had one final suggestion for the placement of the problem column, and it worked, probably even better than the original design would have if I didn’t sew that section backwards in the first place.


I assembled the whole quilt top and trimmed it.


Its current dimensions are 55″x39″, but I plan to quilt it and then trim it to about 55″x34″ so that it will be almost exactly the Golden Ratio. Hopefully I can get it quilted soon before I lose momentum.

I declare this $35 experiment a success!